My name is Keith Brown, and I am one of Grantley Haynes's best friends. I’ve had the distinct pleasure of knowing Grantley Haynes for over 45 years and can say without hesitation that he embodies the qualities of a loyal friend and exceptional individual. Grantley’s unwavering integrity, thoughtfulness and infectious enthusiasm make him a joy to be around and someone you can always count on.
Grantley attended Lea Mason Secondary School, and I attended St Albans C of E Secondary School. Then, we had the Highgate Park situation between the two schools.
My first memory of Grantley was whilst playing in Highgate Park I would see him cut across the park from time to time, and he knew some of the friends I was out playing with. I was also aware that he was the boyfriend of one of my school friends, a sister who attended my school. Even though we did not speak, based on the small geographic district, I knew his face and no doubt he knew mine based on our neutral acquaintances and our attending the same social spaces in the area.
I recall Grantley having a disco set GT 600, played at a community centre just off Edward Road, Balsall Heath, and the Earl Grey pub in the same district. What was unique for me was Grantley. He was the first black man I knew who had such a neat, tidy-looking disco set like this. I’m sure he also had disco lights and played some softer music, which at the time was strictly reggae.
When I left school in the summer of 1979, my first job was working for Trust House Forte Group, which led to my going to Garretts Green Catering College (one-day release per week).
Towards the end of my 4-year course, Grantley started to attend the same college I’m sure he said he returned to complete his catering certificates as he had stopped doing to attend work the first time around. These days, I used to catch the number 17 bus into the city centre, and if Grantley saw me at the bus stop, he would give me a lift to the Highgate area in his van. Somehow, we hired Grantley and his van to move our local, small sound system, Celestial City Hi-Fi.
I went to a gig with Pato and his band, and I remember Grantley doing everything, including driving the van. I offered to help support him and take the van away from him. Grantley accepted, which was the beginning of our long-standing friendship and professional relationship.
It was Grantley who encouraged me and gave excellent advice to go into adult further education, pursue the NEBS Supervisor course and gain a supervisory qualification (I’m sure Grantley had already done these certificates) to progress out the kitchen and into catering management and, significantly progress up the management ladder and earn more money. This led me to complete a 3-year HNC Catering Course and attain the necessary qualifications at the College of Food to enable me to move into catering management.
After driving the van, I assumed the position of road manager for the artists Grantley worked with. We shared an ambition of making it big in the music industry, attaining financial success, and turning our passion into a full-time career with the ultimate goal of leaving behind the constraints of a regular nine-to-five job.
Over the forthcoming years working with Grantley, he has given me the grateful opportunity (which at the time lots of individuals would seek after) to share numerous enjoyable adventures and, more importantly, as a valued friend in the UK reggae music industry, which with gratitude has also personally taken me to USA, Africa & Europe. I gained various people skills, business acumen, and valuable knowledge from working with them, contributing to my being the person I am today.
Opposite to me, Grantley is outgoing, has a presence about him, is comfortable in any given setting, and can enter and light up any room or space. Grantley has an incredible ability to make those around him feel valued and appreciated. He listens intently, offers counsel, and never fails to bring a positive outlook, even in the most challenging situations. His empathy and kindness have touched the lives of everyone fortunate enough to know him.
Our journey together through the reggae scene has been filled with unforgettable moments, from late-night studio sessions to iconic performances. Still, I concentrate on Grantley’s unwavering strength of character, which stands out most. Upon reflection, even I questioned Grantley’s foresight and vision at the time, but now they have undeniably been proven to be critical works of greatness and have stood the test of time. I am honoured to call Grantley my friend, and I am grateful for the opportunities and countless ways he has enriched my life.
His enterprising spirit is driven by his deep understanding of the music industry and commitment to creating positive change. Throughout the years I have known him, Grantley has demonstrated a remarkable eye for an opportunity to develop innovative business ventures that, in some cases, still thrive today. These ventures offer opportunities and more fundamental life skills for me.
I am compounded by his undeniable love and dedication for his two sons. Grantley is an incredible father. He is always there for them, offering guidance and support or being a constant source of love and laughter. Grantley is a devoted, loving father to his children. His dedication extends beyond his sons. Grantley is equally committed to his grandchildren, sisters, and mother, always showing up with the same level of care, respect, and love. He’s the kind of man who puts his family first, no matter what, and that speaks volumes of his loving, reliable character, which is truly inspiring.
Standing by Grantley as his best man for his wedding was both an honour and a privilege, one that reflects the deep bond we’ve built over the years of friendship and shared adventures in life. Grantley is not just a remarkable individual; he’s my dependable, loving brother in every sense of the word, someone whose loyalty, kindness, and integrity have made a profound positive impact on my life.
Knowing Grantley’s commitment to his projects, and naturally, I’m experienced or know of most experiences Grantley is about to tell, I am genuinely looking forward to this completed body of work. In my opinion, Grantley has consistently underplayed and underestimated his contribution to the UK reggae industry. Grantley’s passion for the subject is evident, and I can say with confidence in his book that he will capture the essence of a vibrant and influential music scene when at its peak. Grantley has lived and breathed the very stories he will so eloquently captures, offering readers an insider’s perspective that is as authentic at it is insightful. His story will educate and immerse the reader in the UK’s unique riddims and stories of reggae.
For me, he’s just Grantley, or “G,” as I like to call him. Consequently, despite his well-earned celebrity status, I treat him as such. I’m so pleased Grantley is taking this opportunity to record his valued version of his significant role in the UK reggae industry.
Grantley has immense musical talent and dedication. He approaches every task with an elevated level of commitment and passion that is truly inspiring. His work ethic and cheerful outlook make him a standout in any endeavour he undertakes.
We still work on various projects together, including my favourite, Wheeler Street Young Entertainers and Entrepreneurs. These projects are enjoyable, get me away from work, and contribute to my personal well-being. May these business opportunities continue.
Grantley attended Lea Mason Secondary School, and I attended St Albans C of E Secondary School. Then, we had the Highgate Park situation between the two schools.
My first memory of Grantley was whilst playing in Highgate Park I would see him cut across the park from time to time, and he knew some of the friends I was out playing with. I was also aware that he was the boyfriend of one of my school friends, a sister who attended my school. Even though we did not speak, based on the small geographic district, I knew his face and no doubt he knew mine based on our neutral acquaintances and our attending the same social spaces in the area.
I recall Grantley having a disco set GT 600, played at a community centre just off Edward Road, Balsall Heath, and the Earl Grey pub in the same district. What was unique for me was Grantley. He was the first black man I knew who had such a neat, tidy-looking disco set like this. I’m sure he also had disco lights and played some softer music, which at the time was strictly reggae.
When I left school in the summer of 1979, my first job was working for Trust House Forte Group, which led to my going to Garretts Green Catering College (one-day release per week).
Towards the end of my 4-year course, Grantley started to attend the same college I’m sure he said he returned to complete his catering certificates as he had stopped doing to attend work the first time around. These days, I used to catch the number 17 bus into the city centre, and if Grantley saw me at the bus stop, he would give me a lift to the Highgate area in his van. Somehow, we hired Grantley and his van to move our local, small sound system, Celestial City Hi-Fi.
I went to a gig with Pato and his band, and I remember Grantley doing everything, including driving the van. I offered to help support him and take the van away from him. Grantley accepted, which was the beginning of our long-standing friendship and professional relationship.
It was Grantley who encouraged me and gave excellent advice to go into adult further education, pursue the NEBS Supervisor course and gain a supervisory qualification (I’m sure Grantley had already done these certificates) to progress out the kitchen and into catering management and, significantly progress up the management ladder and earn more money. This led me to complete a 3-year HNC Catering Course and attain the necessary qualifications at the College of Food to enable me to move into catering management.
After driving the van, I assumed the position of road manager for the artists Grantley worked with. We shared an ambition of making it big in the music industry, attaining financial success, and turning our passion into a full-time career with the ultimate goal of leaving behind the constraints of a regular nine-to-five job.
Over the forthcoming years working with Grantley, he has given me the grateful opportunity (which at the time lots of individuals would seek after) to share numerous enjoyable adventures and, more importantly, as a valued friend in the UK reggae music industry, which with gratitude has also personally taken me to USA, Africa & Europe. I gained various people skills, business acumen, and valuable knowledge from working with them, contributing to my being the person I am today.
Opposite to me, Grantley is outgoing, has a presence about him, is comfortable in any given setting, and can enter and light up any room or space. Grantley has an incredible ability to make those around him feel valued and appreciated. He listens intently, offers counsel, and never fails to bring a positive outlook, even in the most challenging situations. His empathy and kindness have touched the lives of everyone fortunate enough to know him.
Our journey together through the reggae scene has been filled with unforgettable moments, from late-night studio sessions to iconic performances. Still, I concentrate on Grantley’s unwavering strength of character, which stands out most. Upon reflection, even I questioned Grantley’s foresight and vision at the time, but now they have undeniably been proven to be critical works of greatness and have stood the test of time. I am honoured to call Grantley my friend, and I am grateful for the opportunities and countless ways he has enriched my life.
His enterprising spirit is driven by his deep understanding of the music industry and commitment to creating positive change. Throughout the years I have known him, Grantley has demonstrated a remarkable eye for an opportunity to develop innovative business ventures that, in some cases, still thrive today. These ventures offer opportunities and more fundamental life skills for me.
I am compounded by his undeniable love and dedication for his two sons. Grantley is an incredible father. He is always there for them, offering guidance and support or being a constant source of love and laughter. Grantley is a devoted, loving father to his children. His dedication extends beyond his sons. Grantley is equally committed to his grandchildren, sisters, and mother, always showing up with the same level of care, respect, and love. He’s the kind of man who puts his family first, no matter what, and that speaks volumes of his loving, reliable character, which is truly inspiring.
Standing by Grantley as his best man for his wedding was both an honour and a privilege, one that reflects the deep bond we’ve built over the years of friendship and shared adventures in life. Grantley is not just a remarkable individual; he’s my dependable, loving brother in every sense of the word, someone whose loyalty, kindness, and integrity have made a profound positive impact on my life.
Knowing Grantley’s commitment to his projects, and naturally, I’m experienced or know of most experiences Grantley is about to tell, I am genuinely looking forward to this completed body of work. In my opinion, Grantley has consistently underplayed and underestimated his contribution to the UK reggae industry. Grantley’s passion for the subject is evident, and I can say with confidence in his book that he will capture the essence of a vibrant and influential music scene when at its peak. Grantley has lived and breathed the very stories he will so eloquently captures, offering readers an insider’s perspective that is as authentic at it is insightful. His story will educate and immerse the reader in the UK’s unique riddims and stories of reggae.
For me, he’s just Grantley, or “G,” as I like to call him. Consequently, despite his well-earned celebrity status, I treat him as such. I’m so pleased Grantley is taking this opportunity to record his valued version of his significant role in the UK reggae industry.
Grantley has immense musical talent and dedication. He approaches every task with an elevated level of commitment and passion that is truly inspiring. His work ethic and cheerful outlook make him a standout in any endeavour he undertakes.
We still work on various projects together, including my favourite, Wheeler Street Young Entertainers and Entrepreneurs. These projects are enjoyable, get me away from work, and contribute to my personal well-being. May these business opportunities continue.
Keith Brown
Business Partner, Chair Wheeler Street Young Entertainers and Entrepreneurs in Action and Area Catering Manager
I have known GT since I was 16 years old. He was not like the other youths in my community. He was friendly but mostly thoughtful, disciplined and focused. It didn’t take me long to realise that he was an intellectual with a solid vision to achieve big things in every avenue of life.
Our shared love of music eventually united us as friends, and GT was always willing to offer a helping hand to anyone he thought worthy. He taught me not to waste too much time on “time wasters,” to “think about the future,” to “try and save something for a rainy day,” and to “never stop learning!” He also helped me learn how to drive, set up a bank account, and learn many other lessons relevant to my practical progress in life.
It was after a major concert in London hosted by David Rodigan when I was a new artist performing with many leading reggae acts, where GT strategically helped to “steal the show” when I was called back to do another song at the end of the night. I had to decide quickly on which song to perform, and GT told me to perform a song I had just written called “Allo Tosh Gotta Toshiba?” I was approached by two management companies and three labels who wanted to sign me immediately! On the drive home, I asked GT what I should do, and he said, “I’ll manage you.” I laughed so hard at first, but when I realised he was serious about taking responsibility for my career, I agreed, and together, we made history.
I could go on and on, but GT helped Tippa Irie and me establish our names and tour around the world. He negotiated significant record deals for me and helped produce my most successful album (Never Give In). He deserves the title “Manager, Brother & Friend” because he was always concerned about my life, not just “the business."
I don’t know much, but I do know that GT succeeds at whatever he sets his mind to.
One Love Always
Our shared love of music eventually united us as friends, and GT was always willing to offer a helping hand to anyone he thought worthy. He taught me not to waste too much time on “time wasters,” to “think about the future,” to “try and save something for a rainy day,” and to “never stop learning!” He also helped me learn how to drive, set up a bank account, and learn many other lessons relevant to my practical progress in life.
It was after a major concert in London hosted by David Rodigan when I was a new artist performing with many leading reggae acts, where GT strategically helped to “steal the show” when I was called back to do another song at the end of the night. I had to decide quickly on which song to perform, and GT told me to perform a song I had just written called “Allo Tosh Gotta Toshiba?” I was approached by two management companies and three labels who wanted to sign me immediately! On the drive home, I asked GT what I should do, and he said, “I’ll manage you.” I laughed so hard at first, but when I realised he was serious about taking responsibility for my career, I agreed, and together, we made history.
I could go on and on, but GT helped Tippa Irie and me establish our names and tour around the world. He negotiated significant record deals for me and helped produce my most successful album (Never Give In). He deserves the title “Manager, Brother & Friend” because he was always concerned about my life, not just “the business."
I don’t know much, but I do know that GT succeeds at whatever he sets his mind to.
One Love Always
Tippa Irie
Author, International Musical Artist and MC
My name is Peter Spence. I have known Grantly Haynes for 30 years, serving as a Manager, Mentor, and Friend.
Grantley managed the beginning of my music career from 1984 to 1996 and then from 2014 to 2016. In between, he left the music business to carve out a very successful career with the NHS, rolling out new initiatives across the city and nationally. This, in turn, led to him creating "The Wheeler Street Project," where he and his team work with and engage with young people who may be affected by drug abuse, gangs, and problems within the education system.
During my early years in the music business, Grantley mentored, encouraged, and supported me. Gaining me secure significant signing deals with labels like Island Records. Additionally, he supported me while I raised my children, as I was a young father facing challenges.
Having returned to the music business and managed my career again, Grantly is now multifaceted and has a considerable knowledge base. I am now privy to his extensive work with young people through music projects (GTs Records) and One-to-one mentoring (Wheeler Street Project).
While still maintaining projects with other agencies, such as West Midlands Police and the Local Authority, Grantley runs a successful Record & Management Company where he nurtures new talent. In addition to managing my career, he has motivated me to establish my charity, allowing us to collaborate in creating more opportunities for young people in the community.
Like his father before him, Grantley Haynes is integral to our community. He maintains and encourages high standards and integrity and is an excellent example of Pro-Social Modelling to all who encounter him in his work and personal life.
Have a Blessed Day
Grantley managed the beginning of my music career from 1984 to 1996 and then from 2014 to 2016. In between, he left the music business to carve out a very successful career with the NHS, rolling out new initiatives across the city and nationally. This, in turn, led to him creating "The Wheeler Street Project," where he and his team work with and engage with young people who may be affected by drug abuse, gangs, and problems within the education system.
During my early years in the music business, Grantley mentored, encouraged, and supported me. Gaining me secure significant signing deals with labels like Island Records. Additionally, he supported me while I raised my children, as I was a young father facing challenges.
Having returned to the music business and managed my career again, Grantly is now multifaceted and has a considerable knowledge base. I am now privy to his extensive work with young people through music projects (GTs Records) and One-to-one mentoring (Wheeler Street Project).
While still maintaining projects with other agencies, such as West Midlands Police and the Local Authority, Grantley runs a successful Record & Management Company where he nurtures new talent. In addition to managing my career, he has motivated me to establish my charity, allowing us to collaborate in creating more opportunities for young people in the community.
Like his father before him, Grantley Haynes is integral to our community. He maintains and encourages high standards and integrity and is an excellent example of Pro-Social Modelling to all who encounter him in his work and personal life.
Have a Blessed Day
Peter Spence
Professional Vocalist
I have known Grantley for over 30 years.
I can only describe him as a rock in desolation and despair. Throughout my career, I had ups and downs, especially with the industry's business side. Grantley seemed to ‘pop’ in and out more or less at the correct times, always ready to give meaningful and valuable advice. He has a high level of understanding, interest, and concern for artists. He can develop and improve any situation. He has always been a part of my journey—in every way.
His return to the music industry is a must and a blessing, especially for me. I count myself extremely lucky to be a member of his camp. Each day I rise, I feel his tremendous trust and belief in me, which, in turn, gives me the encouragement and courage to excel in this harsh and unpredictable industry.
I will always be grateful…..Thank you, Grantley..x
I can only describe him as a rock in desolation and despair. Throughout my career, I had ups and downs, especially with the industry's business side. Grantley seemed to ‘pop’ in and out more or less at the correct times, always ready to give meaningful and valuable advice. He has a high level of understanding, interest, and concern for artists. He can develop and improve any situation. He has always been a part of my journey—in every way.
His return to the music industry is a must and a blessing, especially for me. I count myself extremely lucky to be a member of his camp. Each day I rise, I feel his tremendous trust and belief in me, which, in turn, gives me the encouragement and courage to excel in this harsh and unpredictable industry.
I will always be grateful…..Thank you, Grantley..x
Sandra Cross
Professional Vocal Coach and Vocalist
I first met Grantley with my best mate, Corporal Billy, when we were part of the incredible young sound system of the 1980s. We called ourselves MastaBlasta, and I’m certain this was around 1984. By this time, MastaBlasta was performing at various events seven nights a week. Grantley was on the lookout for new local talent and had heard that MastaBlasta featured a young, raw group of talented individuals he was keen to discover."
Later, we had a meeting at his flat, which served as his office in Lea Bank, Birmingham. From the very beginning, the team and I took to Grantley; he understood our aims and goals, which aligned with his own. After the meeting, Billy and I concurred that this was an excellent opportunity for our team to be involved in. From that day onward, it was decided that Grantley would manage and inspire our sound system, “MastaBlasta.”
Grantley organized numerous events with other promoters and made sure we participated in premier events across the UK. He is a great motivator who brought out the best in MastaBlasta as a team, including Corporal Billy, Stylee, Bongo D, Junior Dan, and Judah Lickshot. Grantley consistently ensured that Mechech, Beaver Militant, the selectors, and I always had the latest releases.
One of the crucial aspects of MastaBlasta was our steadfast commitment to sound quality. The microphone setup needed to be crystal clear with various singers and DJs. This dedication to excellence enabled us to provide sound for esteemed artists such as Sophia George, Nitty Gritty, and many more, solidifying our reputation as a premier sound system.
One of our most memorable events was the DJ clash at Maximilian Night in Birmingham. Under Grantley's management, the entire team delivered a performance that left the crowd buzzing. The sound was impeccable, and the event was a resounding success, solidifying MastaBlasta's status as a champion sound of the 80s.
Grantley, who also managed Pato Banton and Tippa Irie, saw them both achieve hit singles—Pato Banton with “Allo Tosh” and Tippa Irie with “Hello Darling.” This success made them both household names, which meant Grantley spent less time with us and more time with them.
However, he still found time to release various albums and singles with Corporal Billy and others from Birmingham. He had an eye for talent and knew when a young artist had what it took to progress to be an international artist.
I have immense respect for him and his team, who shared a wealth of behind-the-scenes information and guided me on how to become the best version of myself.
Later, we had a meeting at his flat, which served as his office in Lea Bank, Birmingham. From the very beginning, the team and I took to Grantley; he understood our aims and goals, which aligned with his own. After the meeting, Billy and I concurred that this was an excellent opportunity for our team to be involved in. From that day onward, it was decided that Grantley would manage and inspire our sound system, “MastaBlasta.”
Grantley organized numerous events with other promoters and made sure we participated in premier events across the UK. He is a great motivator who brought out the best in MastaBlasta as a team, including Corporal Billy, Stylee, Bongo D, Junior Dan, and Judah Lickshot. Grantley consistently ensured that Mechech, Beaver Militant, the selectors, and I always had the latest releases.
One of the crucial aspects of MastaBlasta was our steadfast commitment to sound quality. The microphone setup needed to be crystal clear with various singers and DJs. This dedication to excellence enabled us to provide sound for esteemed artists such as Sophia George, Nitty Gritty, and many more, solidifying our reputation as a premier sound system.
One of our most memorable events was the DJ clash at Maximilian Night in Birmingham. Under Grantley's management, the entire team delivered a performance that left the crowd buzzing. The sound was impeccable, and the event was a resounding success, solidifying MastaBlasta's status as a champion sound of the 80s.
Grantley, who also managed Pato Banton and Tippa Irie, saw them both achieve hit singles—Pato Banton with “Allo Tosh” and Tippa Irie with “Hello Darling.” This success made them both household names, which meant Grantley spent less time with us and more time with them.
However, he still found time to release various albums and singles with Corporal Billy and others from Birmingham. He had an eye for talent and knew when a young artist had what it took to progress to be an international artist.
I have immense respect for him and his team, who shared a wealth of behind-the-scenes information and guided me on how to become the best version of myself.
King Zukie
Master Blaster – Luv Injection Music
I first met Grantley with my best mate, Corporal Billy, when we were part of the incredible young sound system of the 1980s. We called ourselves MastaBlasta, and I’m certain this was around 1984. By this time, MastaBlasI first met Grantley Haynes on May 1, 1987, at a reggae festival on the campus of California State University, Northridge. He was managing Tippa Irie and Pato Banton, the headline acts.
I was the Concert Coordinator and a member of the Student Productions and Campus Entertainment (aka SPACE) committee, the show promoters. That night, we had a sellout crowd, and the performance was terrific!
From this first encounter, I noticed GT’s abilities and skill sets in managing all the logistical aspects of a live concert event, including the stage, sound, lights, and talent. Soon after our first show together, he offered me the opportunity to work with him as a Road Manager and join his management team.
Over the years, our working relationship has blossomed into a lifelong friendship. GT and I have been fortunate to share many beautiful weddings and family gatherings together. Although we are separated by more than 5,300 miles between Southern California, USA, and Birmingham, UK, I've always regarded my friendship with GT as a gift.
Grantley Haynes, in a word... brilliant.
GT possesses an extraordinary ability to recognise the potential greatness in a person, regardless of how that individual perceives themselves.
His Strengths:
- A strong sense of organisation and planning.
- Vision for long-term project development.
- A natural aptitude to coach and mentor.
These are his essential attributes for nurturing and managing talent with maximum potential for long-term growth and successful outcomes. ta was performing at various events seven nights a week. Grantley was on the lookout for new local talent and had heard that MastaBlasta featured a young, raw group of talented individuals he was keen to discover."
Later, we had a meeting at his flat, which served as his office in Lea Bank, Birmingham. From the very beginning, the team and I took to Grantley; he understood our aims and goals, which aligned with his own. After the meeting, Billy and I concurred that this was an excellent opportunity for our team to be involved in. From that day onward, it was decided that Grantley would manage and inspire our sound system, “MastaBlasta.”
Grantley organized numerous events with other promoters and made sure we participated in premier events across the UK. He is a great motivator who brought out the best in MastaBlasta as a team, including Corporal Billy, Stylee, Bongo D, Junior Dan, and Judah Lickshot. Grantley consistently ensured that Mechech, Beaver Militant, the selectors, and I always had the latest releases.
One of the crucial aspects of MastaBlasta was our steadfast commitment to sound quality. The microphone setup needed to be crystal clear with various singers and DJs. This dedication to excellence enabled us to provide sound for esteemed artists such as Sophia George, Nitty Gritty, and many more, solidifying our reputation as a premier sound system.
One of our most memorable events was the DJ clash at Maximilian Night in Birmingham. Under Grantley's management, the entire team delivered a performance that left the crowd buzzing. The sound was impeccable, and the event was a resounding success, solidifying MastaBlasta's status as a champion sound of the 80s.
Grantley, who also managed Pato Banton and Tippa Irie, saw them both achieve hit singles—Pato Banton with “Allo Tosh” and Tippa Irie with “Hello Darling.” This success made them both household names, which meant Grantley spent less time with us and more time with them.
However, he still found time to release various albums and singles with Corporal Billy and others from Birmingham. He had an eye for talent and knew when a young artist had what it took to progress to be an international artist.
I have immense respect for him and his team, who shared a wealth of behind-the-scenes information and guided me on how to become the best version of myself.
I was the Concert Coordinator and a member of the Student Productions and Campus Entertainment (aka SPACE) committee, the show promoters. That night, we had a sellout crowd, and the performance was terrific!
From this first encounter, I noticed GT’s abilities and skill sets in managing all the logistical aspects of a live concert event, including the stage, sound, lights, and talent. Soon after our first show together, he offered me the opportunity to work with him as a Road Manager and join his management team.
Over the years, our working relationship has blossomed into a lifelong friendship. GT and I have been fortunate to share many beautiful weddings and family gatherings together. Although we are separated by more than 5,300 miles between Southern California, USA, and Birmingham, UK, I've always regarded my friendship with GT as a gift.
Grantley Haynes, in a word... brilliant.
GT possesses an extraordinary ability to recognise the potential greatness in a person, regardless of how that individual perceives themselves.
His Strengths:
- A strong sense of organisation and planning.
- Vision for long-term project development.
- A natural aptitude to coach and mentor.
These are his essential attributes for nurturing and managing talent with maximum potential for long-term growth and successful outcomes. ta was performing at various events seven nights a week. Grantley was on the lookout for new local talent and had heard that MastaBlasta featured a young, raw group of talented individuals he was keen to discover."
Later, we had a meeting at his flat, which served as his office in Lea Bank, Birmingham. From the very beginning, the team and I took to Grantley; he understood our aims and goals, which aligned with his own. After the meeting, Billy and I concurred that this was an excellent opportunity for our team to be involved in. From that day onward, it was decided that Grantley would manage and inspire our sound system, “MastaBlasta.”
Grantley organized numerous events with other promoters and made sure we participated in premier events across the UK. He is a great motivator who brought out the best in MastaBlasta as a team, including Corporal Billy, Stylee, Bongo D, Junior Dan, and Judah Lickshot. Grantley consistently ensured that Mechech, Beaver Militant, the selectors, and I always had the latest releases.
One of the crucial aspects of MastaBlasta was our steadfast commitment to sound quality. The microphone setup needed to be crystal clear with various singers and DJs. This dedication to excellence enabled us to provide sound for esteemed artists such as Sophia George, Nitty Gritty, and many more, solidifying our reputation as a premier sound system.
One of our most memorable events was the DJ clash at Maximilian Night in Birmingham. Under Grantley's management, the entire team delivered a performance that left the crowd buzzing. The sound was impeccable, and the event was a resounding success, solidifying MastaBlasta's status as a champion sound of the 80s.
Grantley, who also managed Pato Banton and Tippa Irie, saw them both achieve hit singles—Pato Banton with “Allo Tosh” and Tippa Irie with “Hello Darling.” This success made them both household names, which meant Grantley spent less time with us and more time with them.
However, he still found time to release various albums and singles with Corporal Billy and others from Birmingham. He had an eye for talent and knew when a young artist had what it took to progress to be an international artist.
I have immense respect for him and his team, who shared a wealth of behind-the-scenes information and guided me on how to become the best version of myself.
Don Kilbury
Former Road Manager and Territory Sales Manager USA
I have known Grantley for 40 years; we first met around 1985 when I was a DJ at a local radio station in Birmingham called PCRL. We became close friends. At that time, he managed internationally renowned reggae artists such as Pato Banton, Peter Spence, Tippa Irie, and others. I served as his assistant, helping to manage his office while he was abroad overseeing tour dates for his artists.”
Grantley’s management skills are on point. He has an eye for spotting talent and putting it on the right track for success. I would say there is nothing he does not know about this industry. From working with Grantley and knowing him personally as a friend, I have found him to be a very hardworking, determined, and no-nonsense professional who always aims high. We have maintained a warm friendship over the years. He has always been encouraging and imparted good advice.
In 2018, my children participated in his theatre production, Mirrors and Makeup, in which he used his skills to empower youth through music. He later became my daughter’s and niece's vocal coach when they decided to sing, giving them an insight into what a music career would entail.
As someone who has known Grantley professionally and personally for so long, I can confidently say that this book reflects his deep industry expertise and genuine passion for nurturing talent and fostering creativity. With a formal yet accessible approach, Grantley offers readers a rare glimpse into the challenges and triumphs of managing artists, making this an essential read for aspiring music professionals and seasoned veterans. I have nothing but the utmost respect for him.
But one thing to add—he dislikes losing, so don’t challenge him to a dance battle. If you win, he’ll attempt to take you on again to claim that victory for the next 35 years!
Grantley’s management skills are on point. He has an eye for spotting talent and putting it on the right track for success. I would say there is nothing he does not know about this industry. From working with Grantley and knowing him personally as a friend, I have found him to be a very hardworking, determined, and no-nonsense professional who always aims high. We have maintained a warm friendship over the years. He has always been encouraging and imparted good advice.
In 2018, my children participated in his theatre production, Mirrors and Makeup, in which he used his skills to empower youth through music. He later became my daughter’s and niece's vocal coach when they decided to sing, giving them an insight into what a music career would entail.
As someone who has known Grantley professionally and personally for so long, I can confidently say that this book reflects his deep industry expertise and genuine passion for nurturing talent and fostering creativity. With a formal yet accessible approach, Grantley offers readers a rare glimpse into the challenges and triumphs of managing artists, making this an essential read for aspiring music professionals and seasoned veterans. I have nothing but the utmost respect for him.
But one thing to add—he dislikes losing, so don’t challenge him to a dance battle. If you win, he’ll attempt to take you on again to claim that victory for the next 35 years!
Rankin Bev
Teacher and Personal Assistant
Grantley Haynes, also known as GT in the music industry, is a man who originated from a humble background but aspired to achieve great things in his life. Grantley is well-known in the music business as a record producer and manager of reggae artists such as Pato Banton, Tippa Irie, and Peter Spence. His love for reggae music was consistently demonstrated in the recording studios. Through his determination, hard work, and dedication to what he loved doing, Grantley helped make household names of reggae artists like Pato Banton and Tippa Irie, to name just a few.
During my time working with Grantley as his personal assistant (PA), I found him to be inspiring and encouraging, always willing to help someone be their best. Grantley did not suffer fools gladly and consistently operated with kindness and an excellent mindset in everything he undertook. Not only did he become one of my closest friends, but he also served as a fantastic mentor, demonstrating the management aspects of the music business, such as putting together contracts and riders for performances both locally and abroad, addressing the artists' requirements, and keeping track of finances.
Grantley's success in the reggae music industry has been attributed to his passion, drive, and unwavering commitment to something he loves, which is inherently a part of his identity.
During my time working with Grantley as his personal assistant (PA), I found him to be inspiring and encouraging, always willing to help someone be their best. Grantley did not suffer fools gladly and consistently operated with kindness and an excellent mindset in everything he undertook. Not only did he become one of my closest friends, but he also served as a fantastic mentor, demonstrating the management aspects of the music business, such as putting together contracts and riders for performances both locally and abroad, addressing the artists' requirements, and keeping track of finances.
Grantley's success in the reggae music industry has been attributed to his passion, drive, and unwavering commitment to something he loves, which is inherently a part of his identity.
Joycelyn St Juste
Personal Assistant and Senior College Tutor
Although I have known Grantley for several years, it is only recently, while working together on his latest books, that I have come to appreciate his vast but sometimes understated experience in identifying strengths, talents, challenges, and personal support needs in others.”
Grantley also loves his work and his engagement with others, which is evident through the competent and genuine strategies and care he demonstrates. This enables others to gravitate naturally toward him, as they perceive authenticity in his actions, a wealth of experience, and a continuous quest for personal development that strives for the best outcomes.
The Reggae industry, particularly the British Reggae scene, has greatly benefited from Grantly's contributions, collaborations, dedication, and commitment, enhancing the wealth and richness of the music and culture.
I believe that Grantly has cultivated valuable skills such as self-awareness, patience, and empathy, stemming from the guidance he received while growing up in his loving, practical, and caring family, along with the vibrant, creative aspects of his Caribbean heritage and community. Gwan, Grantley… continue to share your reality and insights while documenting and contributing to the story and the Bigger Picture! Respect…
Grantley also loves his work and his engagement with others, which is evident through the competent and genuine strategies and care he demonstrates. This enables others to gravitate naturally toward him, as they perceive authenticity in his actions, a wealth of experience, and a continuous quest for personal development that strives for the best outcomes.
The Reggae industry, particularly the British Reggae scene, has greatly benefited from Grantly's contributions, collaborations, dedication, and commitment, enhancing the wealth and richness of the music and culture.
I believe that Grantly has cultivated valuable skills such as self-awareness, patience, and empathy, stemming from the guidance he received while growing up in his loving, practical, and caring family, along with the vibrant, creative aspects of his Caribbean heritage and community. Gwan, Grantley… continue to share your reality and insights while documenting and contributing to the story and the Bigger Picture! Respect…
Sue Brown
Poet & Broadcaster
Grantley Haynes, also known as GT,"
I first met GT back in the 80s when he was working with Tippa Irie, Pato Banton, Peter Spence, and many other great artists.
GT would call me up, and we would go to his recording studio where he would ask for my advice as a radio presenter and DJ on the tracks he was producing. Hopefully, I gave him the right advice, lol.
From then on, I knew GT had a real passion for his work and valued other people's opinions; not only did he take advice, but he also offered sound advice.
GT and I lost touch for a few years while he went on to achieve various accomplishments, but I remained in the music business. I am pleased to announce that GT has now returned to his rightful place in the music industry, producing excellent music with My Boyz Beatz Production Team and creating tremendous opportunities for young people to get involved in music recording and performance, as his management skills come into play like a true professional.
I had an idea to establish a youth urban internet radio station in Birmingham, UK. I was delighted that GT and the Wheeler Street Young Entertainers in Action agreed to collaborate with me to provide young people with meaningful opportunities for training in broadcasting and radio.
GT is a person who always speaks his mind; he doesn't leave any grey areas. He is serious about his business and takes care of it and the people around it.
GT has always made time for me, even when I was just a teenager starting my radio career; he has always treated me with equal respect and manners.
GT is not merely a business colleague; he is a true friend whom I believe I could trust with the most sensitive information or situations.
GT is a genuine man who will always have time for you; he is very caring and emotional and has a big heart. He truly understands and cares.
GT is like a big brother to me. I wish him all the best in life, and may God bless him with all the blessings he deserves.
I first met GT back in the 80s when he was working with Tippa Irie, Pato Banton, Peter Spence, and many other great artists.
GT would call me up, and we would go to his recording studio where he would ask for my advice as a radio presenter and DJ on the tracks he was producing. Hopefully, I gave him the right advice, lol.
From then on, I knew GT had a real passion for his work and valued other people's opinions; not only did he take advice, but he also offered sound advice.
GT and I lost touch for a few years while he went on to achieve various accomplishments, but I remained in the music business. I am pleased to announce that GT has now returned to his rightful place in the music industry, producing excellent music with My Boyz Beatz Production Team and creating tremendous opportunities for young people to get involved in music recording and performance, as his management skills come into play like a true professional.
I had an idea to establish a youth urban internet radio station in Birmingham, UK. I was delighted that GT and the Wheeler Street Young Entertainers in Action agreed to collaborate with me to provide young people with meaningful opportunities for training in broadcasting and radio.
GT is a person who always speaks his mind; he doesn't leave any grey areas. He is serious about his business and takes care of it and the people around it.
GT has always made time for me, even when I was just a teenager starting my radio career; he has always treated me with equal respect and manners.
GT is not merely a business colleague; he is a true friend whom I believe I could trust with the most sensitive information or situations.
GT is a genuine man who will always have time for you; he is very caring and emotional and has a big heart. He truly understands and cares.
GT is like a big brother to me. I wish him all the best in life, and may God bless him with all the blessings he deserves.
Little Ritchie
Professional DJ
Another top-class studio session and production with Grantley GT Haynes. Although GT felt unwell, he still managed to record excellent vocal deliveries before admitting himself to the hospital. When asked why he didn't stop and cancel the studio session, he replied that I sounded "great,” so he had to get the vocals recorded first.”
Thanks, G! For your time, guidance, vision, and dedication. You always manage to get that little bit more out of everyone when we think there's nothing left to give!
Truly professional! I look forward to working on the next project!
Positive Vibrations
Thanks, G! For your time, guidance, vision, and dedication. You always manage to get that little bit more out of everyone when we think there's nothing left to give!
Truly professional! I look forward to working on the next project!
Positive Vibrations
Major Popular MVP
Professional Promoter, Host and MC
If music be the food of love, play on!” - William Shakespeare
My discovery of art occurred on the 25th of July 2010 at approximately 00:52. I know this is accurate, but it’s true. I wouldn’t even call it a discovery because my love for art has existed since childhood. However, that date and time marked when I realised I would begin expressing my art for all to see, hear, listen to, and feel. It was then that Grantley Haynes joined me on this journey, with his hand reaching out and guiding me toward many more realisations. Lucky for me, I’ve had him in my life since 1994. The beauty of being family! He was very impressed with my writing skills and began helping me to develop them further. He introduced me to his studio, which at the time was in a small box room within his home; we would record many of the poems I had written, and he would give me pointers on delivery and expand my mind even more, enabling me to write even more! This was a huge confidence builder for me as it helped me muster the courage to approach him and provide him with the information that I was not just a writer but a singer, too.
I recall this memory from yesterday; my father and Grantley were sitting in my auntie’s living room. Before approaching him, I turned to my father and asked for his approval on whether he genuinely thought I could sing. He replied with a “yes,” after which Grantley Haynes urged me to sing something right then and there! I felt very shy about doing so, but he explained how anyone, including himself, would know I could sing if I didn’t show it to anyone. With that, I began singing, and he told me I had a “voice,” but that this voice needed some work!
Growing up, he was always on the scene, introducing me to different types of music, from Jagged Edge to Michael Jackson to many, many more artists. The list goes on…
I have been working with Grantley since the age of 15. He has many vital strengths. One that stands out to me is his ability to peel an onion! I mention this because Grantley can always see into that individual no matter how complex or closed-off someone may be. He unleashes qualities that they may not have even acknowledged they possessed. He doesn’t start anything he can’t finish, and he believes in change; he’s a man who advocates for second chances. There have been numerous times when I have doubted myself and struggled to face some of the life experiences I have endured. Still, he never withdrew from my side, engaging me with great depth and helping me understand the bigger picture and, most importantly, with myself.
He has contributed to my wisdom and the enhancement of my music. I must credit Grantley; despite how busy he is, he always does his utmost to ensure that no one notices. He values balance and harmony, which allows him to excel under pressure. For instance, during my studio sessions, I never felt rushed. However, this does not imply that objectives are not met. Whatever targets have been established beforehand, I assure you they will be achieved by the end of the process.
Overall, this guy is what you call a 10/10. He thinks outside the box, going above and beyond his duties. He is the bigger picture; If you see 50, he sees 5000 as an actual investor.”
My discovery of art occurred on the 25th of July 2010 at approximately 00:52. I know this is accurate, but it’s true. I wouldn’t even call it a discovery because my love for art has existed since childhood. However, that date and time marked when I realised I would begin expressing my art for all to see, hear, listen to, and feel. It was then that Grantley Haynes joined me on this journey, with his hand reaching out and guiding me toward many more realisations. Lucky for me, I’ve had him in my life since 1994. The beauty of being family! He was very impressed with my writing skills and began helping me to develop them further. He introduced me to his studio, which at the time was in a small box room within his home; we would record many of the poems I had written, and he would give me pointers on delivery and expand my mind even more, enabling me to write even more! This was a huge confidence builder for me as it helped me muster the courage to approach him and provide him with the information that I was not just a writer but a singer, too.
I recall this memory from yesterday; my father and Grantley were sitting in my auntie’s living room. Before approaching him, I turned to my father and asked for his approval on whether he genuinely thought I could sing. He replied with a “yes,” after which Grantley Haynes urged me to sing something right then and there! I felt very shy about doing so, but he explained how anyone, including himself, would know I could sing if I didn’t show it to anyone. With that, I began singing, and he told me I had a “voice,” but that this voice needed some work!
Growing up, he was always on the scene, introducing me to different types of music, from Jagged Edge to Michael Jackson to many, many more artists. The list goes on…
I have been working with Grantley since the age of 15. He has many vital strengths. One that stands out to me is his ability to peel an onion! I mention this because Grantley can always see into that individual no matter how complex or closed-off someone may be. He unleashes qualities that they may not have even acknowledged they possessed. He doesn’t start anything he can’t finish, and he believes in change; he’s a man who advocates for second chances. There have been numerous times when I have doubted myself and struggled to face some of the life experiences I have endured. Still, he never withdrew from my side, engaging me with great depth and helping me understand the bigger picture and, most importantly, with myself.
He has contributed to my wisdom and the enhancement of my music. I must credit Grantley; despite how busy he is, he always does his utmost to ensure that no one notices. He values balance and harmony, which allows him to excel under pressure. For instance, during my studio sessions, I never felt rushed. However, this does not imply that objectives are not met. Whatever targets have been established beforehand, I assure you they will be achieved by the end of the process.
Overall, this guy is what you call a 10/10. He thinks outside the box, going above and beyond his duties. He is the bigger picture; If you see 50, he sees 5000 as an actual investor.”
Jasonia Johnson
Vocalist and Teacher
I have known Grantley for a long time. We have been childhood friends. Our parents were friends when they arrived in England from Barbados in the late 1950s. They are now known as the Windrush Generation.
Grantley has always been ambitious and focused on his goals. As friends, we grew up with a strong interest in music, particularly reggae, dub, and soul R&B. Grantley would travel to various locations in the UK to find music from multiple genres. We were both attached to a sound system while growing up in Balsall Heath. The sound system, known as Duke Wally, became quite popular in Birmingham and the surrounding areas, mainly due to sound clashes in the Midlands region. This was when he began working as a mobile DJ under the name 'GT 600 Roadshow.'
Aside from his musical interests, Grantley also engaged with various youth centres and performed voluntary work with young people. It was here that I recognized Grantley as a highly influential and hardworking individual who earned great respect for his voluntary contributions, which became his passion. Grantley later became a highly qualified professional in this field, and he now shares his experience through the books previously mentioned.
Grantley became a promoter of various dancehall events and continued to manage well-known reggae artists such as Tippa Irie, Peter Spence, and other prominent local performers. Grantley is a highly respected, talented, and experienced producer, showcasing some extraordinary young artists who travel to various parts of the world.
Grantley has always been ambitious and focused on his goals. As friends, we grew up with a strong interest in music, particularly reggae, dub, and soul R&B. Grantley would travel to various locations in the UK to find music from multiple genres. We were both attached to a sound system while growing up in Balsall Heath. The sound system, known as Duke Wally, became quite popular in Birmingham and the surrounding areas, mainly due to sound clashes in the Midlands region. This was when he began working as a mobile DJ under the name 'GT 600 Roadshow.'
Aside from his musical interests, Grantley also engaged with various youth centres and performed voluntary work with young people. It was here that I recognized Grantley as a highly influential and hardworking individual who earned great respect for his voluntary contributions, which became his passion. Grantley later became a highly qualified professional in this field, and he now shares his experience through the books previously mentioned.
Grantley became a promoter of various dancehall events and continued to manage well-known reggae artists such as Tippa Irie, Peter Spence, and other prominent local performers. Grantley is a highly respected, talented, and experienced producer, showcasing some extraordinary young artists who travel to various parts of the world.
Michael Jordan
Friend
The first time I met Grantley was during a technical drawing lesson at Lee Mason Secondary School on my first day in the mid-70s. I was fourteen years old at the time, new to the school, and trying to settle into a new environment.”
The first time I saw Grantley, he was a sharply dressed young man with well-polished shoes and a broad smile. The pen in his top pocket was the first thing I recalled when I saw Grantley.
Grantley came right over to me and introduced himself! From that day over 50 years ago, we have developed a friendship that continues today. Grantley is a man of order and gets straight to the point with his opinions, yet he is very funny, honest, and genuine. Grantley was an excellent impersonator of teachers and could have a room in fits of laughter.
Our interest in music originated from our early days at school. We would spend time pretending that the tables were our drums, playing the reggae songs of that time on them. This led us to build a small sound system with Tony Bailey, Patrick Walker, and Winston Hales.
Enjoy reading Grantley’s new book; bless up, my friend!”
The first time I saw Grantley, he was a sharply dressed young man with well-polished shoes and a broad smile. The pen in his top pocket was the first thing I recalled when I saw Grantley.
Grantley came right over to me and introduced himself! From that day over 50 years ago, we have developed a friendship that continues today. Grantley is a man of order and gets straight to the point with his opinions, yet he is very funny, honest, and genuine. Grantley was an excellent impersonator of teachers and could have a room in fits of laughter.
Our interest in music originated from our early days at school. We would spend time pretending that the tables were our drums, playing the reggae songs of that time on them. This led us to build a small sound system with Tony Bailey, Patrick Walker, and Winston Hales.
Enjoy reading Grantley’s new book; bless up, my friend!”
Dennis Hamilton
School Friend and Retail Entrepreneur HAT MAN Birmingham
Grantley "GT" Haynes embodies professionalism and warmth, a rare combination that distinguishes him in both his professional and personal pursuits. I have had the privilege of working with GT for a decade, beginning with a standard collaboration that soon blossomed into a cherished friendship. From the very start, his passion for his work was clear. He brings not only extensive knowledge but also a kindness that makes everyone feel valued and understood.
GT has an incredible ability to simplify the most complex concepts, guiding clients, colleagues, and friends alike with patience and genuine care. His attention to detail is exceptional, and he approaches everything with the same level of dedication and enthusiasm, whether it's a routine project or a significant life challenge. It’s no wonder that he has become such an inspirational figure to so many.
Beyond his professional prowess, GT's commitment to the community truly sets him apart. He’s always finding ways to give back, using his expertise and resources to support local initiatives and empower others. His work in the community reflects his generous spirit, and he never hesitates to lend a helping hand, whether mentoring young talent or contributing to causes close to his heart.
GT’s warmth and positivity are infectious. Working with him is a joy because he elevates not only the project but also the people around him. I am proud to call him a colleague and a friend for life. His impact on my professional and personal life has been profound, and I am constantly inspired by his drive, compassion, and unwavering support for those around him.
Grantley Haynes, known to us as GT, is indeed a treasure, an inspiration and a genuine friend.
GT has an incredible ability to simplify the most complex concepts, guiding clients, colleagues, and friends alike with patience and genuine care. His attention to detail is exceptional, and he approaches everything with the same level of dedication and enthusiasm, whether it's a routine project or a significant life challenge. It’s no wonder that he has become such an inspirational figure to so many.
Beyond his professional prowess, GT's commitment to the community truly sets him apart. He’s always finding ways to give back, using his expertise and resources to support local initiatives and empower others. His work in the community reflects his generous spirit, and he never hesitates to lend a helping hand, whether mentoring young talent or contributing to causes close to his heart.
GT’s warmth and positivity are infectious. Working with him is a joy because he elevates not only the project but also the people around him. I am proud to call him a colleague and a friend for life. His impact on my professional and personal life has been profound, and I am constantly inspired by his drive, compassion, and unwavering support for those around him.
Grantley Haynes, known to us as GT, is indeed a treasure, an inspiration and a genuine friend.
Matt Flint
Digital Marketing Consultant